Camilla BlomCamilla BlomLinneaSwedenLogo and visual identity for real estate company LinneaSweden.
Camilla BlomCamilla BlomPause FestivalVisual identity and artwork for Pause Festival, Spain.
Camilla BlomCamilla BlomConcierge ÖsterlenIllustration for the visual identity of Concierge Österlen.
Camilla BlomCamilla BlomÖsterskenVisual identity for Östersken, a small scale producer of world class apple cider and apple juice, located in Österlen, Sweden.
From the beautiful orchards you overlook the sea and the sunrise, which looks different each morning, just like a transparent label changes colour depending on what sort of apple is used in the juice.
Camilla BlomCamilla BlomSparbanken skåne/Pilevallen bankIllustration for the new visual identity for Swedish bank Sparbanken Skåne/Pilevallen bank.
Martina LundgrenMartina LundgrenLogo for Katarina Sandling, gardencoachLogo for a gardencoach who wants to inspire and support us in the way we want to work with our gardens.
Sara EdströmSara EdströmLogotype for TuvessonskanLogotype for Tuvessonskan Mat & Kommunikation. 
Sara EdströmSara EdströmBranding Saskia Cort Logotype and typography for ceramics artist Saskia Cort. 
Marie-Louise HedinMarie-Louise HedinIdentity for "Lena Händer""Lena Händer" (="Smooth Hands"in Swedish) a good name for a comapny that offers Tactile massage.
Folded business cards present excellent information. Two of several labels for jars and bottles.
Marie-Louise HedinMarie-Louise Hedin"The Treasure", textbook for Natur&Kultur publishing companyI designed the logo, "Fena på Matte", did all the illustrations and the book layout for a series of math textbooks, 1st – 3d graders, for Natur & Kultur. The illustrations are a mix of watercolor, gouache, colored pencils and digital polishing in Photoshop. A fun project!
Here you see "Skatten" = The Treasure and 2 pages. The chilren got to color the little white figures, one for every page they finished.
Marie-Louise HedinMarie-Louise HedinD.C.Mutual Aid identityDesign for D.C.Mutual Aid in washington DC, logotype, posters, fliers. This flier was chosen to be part of The Library of Congress permanent exhibit in Washington DC.
The logo is used with different color background as seen on facemasks. Illustrator & Photoshop.
Julia FabriciusJulia FabriciusKrater stickersLogo for Kraterbooks, a personal project that investige and collect information about the book as an object. The logo was developed from a quick sketch into a series of icons in different colors, stickers and prints. Stickers, 5 x 5 cm, 2021.
Elin SvenssonElin SvenssonVide & VännerBusiness card for Vide&Vänner Swedish Hair salon in Kalmar.
Julia KabellJulia KabellEthnosphere OutdoorsLgotype for the wildlife extpert Juha Rankinens firm. 
Transfer StudioTransfer StudioSvenska Bostadsfonden | Visual IdentityA brand new visual identity and communications strategy for renowned property investor Svenska Bostadsfonden.
Maria CederMaria Ceder Vara municipality, Sprinten a new cultural meeting place in the city of Vara, logoVara municipality is planning and building a new neighborhood, Sprinten, which will be a cultural meeting place for students, visitors and residents of all ages, with a goal to increase the flow of visitors to the municipality. The project includes new, remodeling and extensions of school premises and premises for Vara Concert Hall. My assignment was to develop a silhouette and a logo that could be used to market the new neighborhood. The logo is made in Adobe Illustrator and is vectorized.
Veronika LagunadiskoVeronika LagunadiskoLogotype for the band 'The Oneflower Tribe'Logotype for the band 'The Oneflower Tribe'
Veronika LagunadiskoVeronika LagunadiskoVisual identity for the band 'The Oneflower Tribe'. New visual identity for the band 'The Oneflower Tribe'. The project included creating basic elements such as logo, merch and illustrations. I also developed the design and illustrations for their latest LP. 
Marie Tidquist LundinMarie Tidquist LundinFalköpings kommun - museirally
Illustration for a museum rally in Falköping municipality.
Anders Borgenhag HolmqvistAnders Borgenhag HolmqvistBygdens BageriGraphic design for Bygdens Bageri
Jonas LindénJonas LindénLogo – Vilja publishingLogo for Vilja
Jonas LindénJonas LindénLogo – SVABLogo for SVAB
Linda PabstLinda PabstIllustration and Graphic Design, Sammels LantgårdIllustration, Graphic Design and logotype, Sammels Lantgård
Aina von SegebadenAina von Segebadenpackage design patternDesign for tea packaging.
Aina von SegebadenAina von SegebadenLabel designLabels for cider and wine for Villa Apelhem.
David AppelquistDavid AppelquistMalmö stad, "Billie" - transgender mascot."Billie" - transgender mascot, created by a combination of the symbols of man and woman.
Victor SvedbergVictor SvedbergYEAR0001Logo and visual identity for the record label YEAR0001.
https://year0001.com
Björn BerglundBjörn BerglundVisual identity for Booking EliteI designed a visual identity for Booking Elite, a company similar to Airbnb. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLogo design for D&F LABSI designed a logotype for D&F LABS. All letters were drawn by hand and then vectorised. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLogo design for c/o HOPS magazineI designed a logotype for c/o HOPS magazine. All letters were drawn by hand and then later vectorised. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLogotype for Bartolo EntertainmentI designed a logotype for music talent management company Bartolo Entertainment. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLettering tagline for Beijer ElectronicsBeijer Electronics reached out to me wanting a hand-drawn and human feeling to their tagline 'People and Technology. Connected'. All letters were initially drawn by hand and then vectorised. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLogotype for Good PeopleI designed the a logotype for Good People, a company that produces tv commercials. All letters are initially drawn by hand. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundLogotype for the video game PotionomicsI designed a logotype for the video game Potionomics. For full project description, please visit my website at www.bjornberglund.com
Björn BerglundBjörn BerglundVisual identity for KöksbordetI designed the visual identity and logotype for Köksbordet (by Hörte Brygga), a small restaurant located in the Hörte harbour in South of Sweden. The assignment also included, for example; webdesign, business cards and digital newsletter designs. For full project description, please visit my website at www.bjornberglund.com
Christian LindbergChristian LindbergNK Logo RemixNK Logo in a remixed (Illustated) version.
Tova JertfeltTova JertfeltKollektiv Sorg, campaign visual profileVisual profile for the campaign "Kollektiv Sorg", launched in 2020. Logotype made by me. Read more here
Therése BraagTherése BraagCheerleading, diploma, Musketeers Funky Cheer (MFC)Illustration for a cheerleadning association for usse in diplomas.
Fred AnderssonFred AnderssonLocal is the new Black Visuell campain in Sweden to say shopp locally. Several murals where made from Helsingborg to Övik.
Lilian BäckmanLilian BäckmanFRINGE FESTIVAL STOCKHOLM 2019 (STOFF)A sweatshirt for the Fringe festival, 2019
tomas tomtyve nilssontomas tomtyve nilssonlogo for the project "Good life as an elderly person"
logo for the project "Good life as an elderly person" which is a national Heritage Fund project that examines good examples of activities and housing for older people with intellectual disabilities (IF) and produces material about this. They also train four groups of older people with intellectual disabilities IF so that they become experts in aging. Good life as an elderly person - activities and housing for people with intellectual disabilities are financed for the most part by the Heritage Fund
Carin LundbladCarin LundbladLogotyp Skulpturpark Vadstena
A project that will make the folk parks come alive again, in Vadstena it became a sculpture park that will be ready in 2021.
Carin LundbladCarin Lundblad Logo and folder Tummens B & B
Logo and folder for a mini B&B in Vadstena.
Carin LundbladCarin LundbladLogotyp Björkhaga inredningssnickeri
A logo where B got a profile that leads the idea to a facade strip on, for example, a frame.
Carin LundbladCarin LundbladLogo Solgården
Here I have chosen to make a typographic symbol. The ornaments in the symbol are taken from the pattern on sofa that is in one of the rooms at Solgården. This shape should also reflect the spirit of the time in the early 20th century with the Art Nouveau style and I also have an idea for embroidered pillowcases and sheets.
Carin LundbladCarin LundbladFoodtruck Gilroys Take awayGilroy's Take away, a food cart that sells yummy sandwiches. Here the design of the vehicle decoration, the color scheme should make the carriage visible but at the same time blend into the city's environment. The graphic expression modern and playful.
Carin LundbladCarin LundbladGraphic profile AdolfsnäsSome examples of how the graphic identity was used on labels, advertisements and windows.
Marie HerzogMarie HerzogLogotype & patternCafé Rotundan, 2017
Julia KabellJulia KabellLogotype for Eco-lodgeThe logotype symbolises the tepee-tent and the lake where it is set.
Julia KabellJulia KabellLogotype for the local breweryVintage style logotype for a local brewery. 
Julia KabellJulia KabellForest Tribe- logotypeLogotype for the eco event- company Forest Tribe. 
Pia OlmåsPia OlmåsTingberget produktion, logotype, 2020 
Anna JonssonAnna JonssonLogo design, LångåsaLogo design and identity work for the farm Långåsa, sustainable local food producers. 
Lottis Karlsson OlssonLottis Karlsson OlssonLogo for BålstabagarnLogo made for Bålstabagarn. For packaging and PR.
Sofia HolmlundSofia HolmlundKnivsta Kultur och fritid, Visual IdentityArt direction and graphic design of visual identity for Knivsta Kultur och fritid.
2018-19.
Isabel Leal BergstrandIsabel Leal BergstrandPersonal work, bag-in-box, ANOTHER roséDesign and illustration for a wine box for the imaginary wine brand ANOTHER rosé.
Nikki SchmidtNikki SchmidtWebsite and graphic identity for sexual rightsWebsite, graphic identity, logo and printed material for a Arvsfonden project that helps people who has been through sexual assault or rape.
Read more at http://www.nikkivisual.com/
Lina ForsgrenLina ForsgrenVisionsGraphic identity for VISIONS which was an online art shop selling limited edition arts prints from across the globe. The work includes the graphic profile, gift card certificate, businesscard/flyer and stickers.
tomas nilssontomas nilssonlogo for jag kan cyklalogo for a project teaching children with function variations to ride a bike.
tomas nilssontomas nilssonVinyl cover for fake bandVinyl cover for fake band.
fake vinyl cover for fake band, part of group exhibition in London.
Lina ForsgrenLina ForsgrenApalmaLogo for Apalma in a custom made type where each A of the logo is unique. Apalma is a label creating beautiful, printed garments in a small amount in New York City & Colombia with ethical responsibility & eco-friendliness in mind.
Adam DahlstedtAdam DahlstedtHela Jorden logotypeLogo for a small-scale agricultural farm growing vegetables.
Marjo PalokangasMarjo PalokangasUusiTeatteri, logo, visual identity, webpageUusiTeatteri, logo, visual identity, webpage. Collaboration with Mika Kastner Johnson. 
Tara SundströmTara SundströmGreeniX logoLogo created for the gamingserie GreeniX by the company Taitonetti Oy
Tara SundströmTara SundströmDragonforceLogo made for the gamingserie Dragonforce
Rikard HällRikard HällVisual identity and logotype for VFX company Dupp filmVFX company Dupp film needed a clear graphic identity, and a more distinct logotype that clarifies and strengthen their brand.
We needed to take a holistic approach because they really didn't have a graphic manual before. A graphic manual with typefaces, colors, proportion, ratio and graphic elements that goes hand in hand with what they do and at the same time – lets them stick out. A real visual identity that is.
Dupp film should feel reliable and safe but yet exciting, like the movie business. But at the same time technological, digital and breath "future", like the VFX industry. With visual effects they create something that does not exist today. They create magic. And they create new worlds.
This is something we focused on. Nothing is left to chance. The colors are inspired by the VFX industry where they work. From cold to warm – ice to fire. A gradient that lets your mind wander towards a stormy sea.
A strong and clean logotype that makes you think about movies and cinema. And at the same time it creates a tension with the diagonal line that goes through the logotype and gives the viewer a playful flirt with the traditional film clap. We also created a logo reveal to strengthen the feeling towards the movie business and a intro/outro they could use to marketing themselves in their own cases and more.
Karolina WestenhoffKarolina WestenhoffVisual identityLogotype for HIV positive organization.
Karolina WestenhoffKarolina WestenhoffLogotypeLogotype designed for the designactivistic association – Omforma, where I'm also a project leader.
Ilse-Mari BerglinIlse-Mari BerglinMockingbird logotypeLogotype for an internal system at Bonnierförlagen.
Martina LundgrenMartina LundgrenAxelgårdenLogo and pattern for a farm in Klöverträsk in Norrbotten.
Isabelle RönnquistIsabelle RönnquistPortrait graphiteCollaboration with Sunfab Hydraulics AB.
Ulla GranqvistUlla GranqvistLogotype. Nourishment and healthLogotype. Nourishment and health. Small business
Ulla GranqvistUlla GranqvistLogotype. Eidern. Business centerLogotype. Eidern. Business center. Strömsund
Sofie Björkgren-NäseSofie Björkgren-NäsePrata Bok, logotype for Finnish National Agency for EducationLogotype for children's reading project Prata Bok.
Client: Finnish National Agency for Education.
Sofie Björkgren-NäseSofie Björkgren-NäseCancerRehabFonden, logotype for campaignLogotype for CancerRehabFonden's campaign Tillbaka till livet-kampen.
(Art director: Mats Wallin / Det Sthlm)
Sofie Björkgren-NäseSofie Björkgren-NäsePostmuseum, logotypeHand drawn logotype for Postmuseum's exhibition Postal Art.
Gunvor EkströmGunvor EkströmSome logotypesExamples of logotypes from Mediagrafik & illustration.
Edin TucalijaEdin TucalijaGambian Society HelsingborgGraphic Identity: Gambian Society. I was asked by Gambian Society in Helsingborg, Sweden, to create their new graphic identity. African colors and patterns were main inspiration in this wonderful project. Societys powerful social relations made me feel happy and I wanted to reflect that feeling in this identity. Openness and togetherness are the key words.
Erica JacobsonErica JacobsonMax FastfoodCampaing for Max new coffee concept. Take away cups, advertisments, animations etc.
Lena WesterlundLena WesterlundPinetree logotypePinetree logotype seen in the program Passet, Aftonbladet TV. Stockholm 2018.
Mattias BrobergMattias BrobergClub DramatenPoster and flyer
Mattias BrobergMattias BrobergTitel typography Titel typography for chioldren theatrical poster.
Fredrika FrykstrandFredrika FrykstrandSAAD - logotype and artworkLogotype and artwork for pop duo SAAD by Adam Odelfelt (Tella Viv, TVc) and Saga West (Dolores Haze).
Fredrika FrykstrandFredrika FrykstrandUngaTur - logotype and visual identityLogo design and artwork for Stockholm based theathre group UngaTur.
Jenny LindqvistJenny LindqvistDragonIllustration for a church i Lund sweeden.
Jonatan SahlinJonatan Sahlin"Cykling" magazineRedesign and art direction of the magazine "Cykling" for the Swedish national cycling advocacy organisation.
Carina LänkCarina LänkGraphic design and logoGraphic design
Ville OkéVille OkéGeyser — Visual IdentityGeyser is a prototype for a revolutionary new type of washing machine driven by steam. The company developing the prototype asked me to come up with a name and identity that would feel new and unexpected but also be self explanatory. I came up with the idea of a geyser and built the identity on the concept of upward movement. Geyser is still in development, but will hopefully be available to buy in the near future.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéPlantamed — Visual IdentityPlantamed combines herbal and modern medicine to create pharmaceutical products in harmony with nature. Project made together with BVD during my time working there. The identity was built around the shape of a leaf, which was integrated into the wordmark and became a simple and effective graphic element that can be used as a container for text and images as well as a pattern for print material and digital content. The result reflects the duality of Plantamed – it combines the sophistication of modern medicine with the organic quality of natural healthcare. Visit plantamed.se for more info.
Ville OkéVille OkéPlantamed — Visual IdentityPlantamed combines herbal and modern medicine to create pharmaceutical products in harmony with nature. Project made together with BVD during my time working there. The identity was built around the shape of a leaf, which was integrated into the wordmark and became a simple and effective graphic element that can be used as a container for text and images as well as a pattern for print material and digital content. The result reflects the duality of Plantamed – it combines the sophistication of modern medicine with the organic quality of natural healthcare. Visit plantamed.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Jenny WallmarkJenny WallmarkIllustration for the magazine Vi (vi.se)Illustration for the magazine Vi (vi.se)
Jenny WallmarkJenny WallmarkIllustration for the magazine ViIllustration for the magazine Vi
Jonatan JönssonJonatan JönssonBOB HUND SERIESPersonal project / Homage to the Swedish band 'Bob Hund' and their classic logo.
Agnes StenqvistAgnes StenqvistLogotype and visuell identity.Logotype and graphic profile for Intensivsvenska, project within the Swedish Academy. In cooperation with Adam Herlitz Form.