Annika HuettAnnika HuettSolberga Village, Järna.Symbols for Solberga By Walldorf School. To be used on houses, roads, graphic form
tomas nilssontomas nilssonlogo for jag kan cyklalogo for a project teaching children with function variations to ride a bike.
tomas nilssontomas nilssonVinyl cover for fake bandVinyl cover for fake band. fake vinyl cover for fake band, part of  group exhibition in London.
Lina ForsgrenLina ForsgrenApalmaLogo for Apalma in a custom made type where each A of the logo is unique. Apalma is a label creating beautiful, printed garments in a small amount in New York City & Colombia with ethical responsibility & eco-friendliness in mind.
Adam DahlstedtAdam DahlstedtHela Jorden logotypeLogo for a small-scale agricultural farm growing vegetables.
Marjo PalokangasMarjo PalokangasUusiTeatteri, logo, visual identity, webpageUusiTeatteri, logo, visual identity, webpage. Collaboration with Mika Kastner Johnson. 
Tara SundströmTara SundströmGreeniX logoLogo created for the gamingserie GreeniX by the company Taitonetti Oy
Tara SundströmTara SundströmDragonforceLogo made for the gamingserie Dragonforce
Rikard HällRikard HällVisual identity and logotype for VFX company Dupp filmVFX company Dupp film needed a clear graphic identity, and a more distinct logotype that clarifies and strengthen their brand. We needed to take a holistic approach because they really didn't have a graphic manual before. A graphic manual with typefaces, colors, proportion, ratio and graphic elements that goes hand in hand with what they do and at the same time – lets them stick out. A real visual identity that is. Dupp film should feel reliable and safe but yet exciting, like the movie business. But at the same time technological, digital and breath "future", like the VFX industry. With visual effects they create something that does not exist today. They create magic. And they create new worlds. This is something we focused on. Nothing is left to chance. The colors are inspired by the VFX industry where they work. From cold to warm – ice to fire. A gradient that lets your mind wander towards a stormy sea. A strong and clean logotype that makes you think about movies and cinema. And at the same time it creates a tension with the diagonal line that goes through the logotype and gives the viewer a playful flirt with the traditional film clap. We also created a logo reveal to strengthen the feeling towards the movie business and a intro/outro they could use to marketing themselves in their own cases and more.
Karolina WestenhoffKarolina WestenhoffVisual identityLogotype for HIV positive organization.
Karolina WestenhoffKarolina WestenhoffLogotypeLogotype designed for the designactivistic association – Omforma, where I'm also a project leader.
Ilse-Mari BerglinIlse-Mari BerglinMockingbird logotypeLogotype for an internal system at Bonnierförlagen.
Martina LundgrenMartina LundgrenAxelgårdenLogotype. 
Isabelle RönnquistIsabelle RönnquistPortrait graphiteCollaboration with Sunfab Hydraulics AB.
Ulla GranqvistUlla GranqvistLogotype. Nourishment and healthLogotype. Nourishment and health. Small business
Ulla GranqvistUlla GranqvistLogotype. Eidern. Business centerLogotype. Eidern. Business center. Strömsund
Sofie Björkgren-NäseSofie Björkgren-NäsePrata Bok, logotype for Finnish National Agency for EducationLogotype for children's reading project Prata Bok. Client: Finnish National Agency for Education.
Sofie Björkgren-NäseSofie Björkgren-NäseCancerRehabFonden, logotype for campaignLogotype for CancerRehabFonden's campaign Tillbaka till livet-kampen. (Art director: Mats Wallin / Det Sthlm)
Sofie Björkgren-NäseSofie Björkgren-NäsePostmuseum, logotypeHand drawn logotype for Postmuseum's exhibition Postal Art.
Gunvor EkströmGunvor EkströmSome logotypesExamples of logotypes from Mediagrafik & illustration.
Jonatan RosénJonatan RosénHampalöv - logotypeLogotype made for the Hampalöv Association 2019
Edin TucalijaEdin TucalijaGambian Society HelsingborgGraphic Identity: Gambian Society. I was asked by Gambian Society in Helsingborg, Sweden, to create their new graphic identity. African colors and patterns were main inspiration in this wonderful project. Societys powerful social relations made me feel happy and I wanted to reflect that feeling in this identity. Openness and togetherness are the key words.
Elsa HuluElsa HuluVärmestuga Malmö, LogotypeVärmestuga Malmö is an initiative where Red Cross Malmö, Kontrapunkt, Mariakyrkan, Stadsmissionen Malmö and City of Malmö comes together to create a place where people without a home can take a shower, get a warm meal, be social and rest for the night. Everyone has the right to a safe place to sleep for the night, a place to live, a job to go to and a social context. I got the job to create a logotype + soft branding, which includes a colour palette and choosing two fonts for them.
Erica JacobsonErica JacobsonMax FastfoodCampaing for Max new coffee concept. Take away cups, advertisments, animations etc.
Lena WesterlundLena WesterlundPinetree logotypePinetree logotype seen in the program Passet, Aftonbladet TV. Stockholm 2018.  
Mattias BrobergMattias BrobergClub DramatenPoster and flyer
Mattias BrobergMattias BrobergTitel typography Titel typography for chioldren theatrical poster.
Felicia RansmarkFelicia RansmarkLogotype for East Bay Bakery. Illustration, 2019.An illustrated logotype made for East Bay Bakery in San Francisco. A female baker with a personal twist. 
Fredrika FrykstrandFredrika FrykstrandSAAD - logotype and artworkLogotype and artwork for pop duo SAAD by Adam Odelfelt (Tella Viv, TVc) and Saga West (Dolores Haze).
Fredrika FrykstrandFredrika FrykstrandUngaTur - logotype and visual identityLogo design and artwork for Stockholm based theathre group UngaTur.
Jenny LindqvistJenny LindqvistDragonIllustration for a church i Lund sweeden.
Jonatan SahlinJonatan Sahlin"Cykling" magazineRedesign and art direction of the magazine "Cykling" for the Swedish national cycling advocacy organisation.
Carina LänkCarina LänkGraphic design and logoGraphic design
Ville OkéVille OkéGeyser — Visual IdentityGeyser is a prototype for a revolutionary new type of washing machine driven by steam. The company developing the prototype asked me to come up with a name and identity that would feel new and unexpected but also be self explanatory. I came up with the idea of a geyser and built the identity on the concept of upward movement. Geyser is still in development, but will hopefully be available to buy in the near future.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéCresnia — Visual IdentityCresnia works in the tenant representation business. They approached me to redesign their identity, print material and office signage. The concept was inspired by a ribbon, representing exclusivity, forward movement and flexibility. The ribbon is recurring throughout the identity, from the logo to the numbers and the iconography. It can also be used on its' own as a graphic element.
Ville OkéVille OkéPlantamed — Visual IdentityPlantamed combines herbal and modern medicine to create pharmaceutical products in harmony with nature. Project made together with BVD during my time working there. The identity was built around the shape of a leaf, which was integrated into the wordmark and became a simple and effective graphic element that can be used as a container for text and images as well as a pattern for print material and digital content. The result reflects the duality of Plantamed – it combines the sophistication of modern medicine with the organic quality of natural healthcare. Visit plantamed.se for more info.
Ville OkéVille OkéPlantamed — Visual IdentityPlantamed combines herbal and modern medicine to create pharmaceutical products in harmony with nature. Project made together with BVD during my time working there. The identity was built around the shape of a leaf, which was integrated into the wordmark and became a simple and effective graphic element that can be used as a container for text and images as well as a pattern for print material and digital content. The result reflects the duality of Plantamed – it combines the sophistication of modern medicine with the organic quality of natural healthcare. Visit plantamed.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Ville OkéVille OkéLinneo Yoga — Visual IdentityLinneo is a yoga studio in Stockhom that invites everyone to stretch both body and mind. The Linneo symbol is inspired by the yoga position called Viparita Karani, where the feet are raised above the head and the hands are lying horisontally on the ground. This symbolizes seeing things from a different perspective. The symbol can also be stretched out to become a dynamic visual element that embodies the flexibility and smoothness of the body’s movements. Visit linneo.se for more info.
Jenny WallmarkJenny WallmarkIllustration for the magazine Vi (vi.se)Illustration for the magazine Vi (vi.se)
Jenny WallmarkJenny WallmarkIllustration for the magazine ViIllustration for the magazine Vi
Jonatan JönssonJonatan JönssonBOB HUND SERIESPersonal project / Homage to the Swedish band 'Bob Hund' and their classic logo.
Agnes StenqvistAgnes StenqvistLogotype and visuell identity.Logotype and graphic profile for Intensivsvenska, project within the Swedish Academy. In cooperation with Adam Herlitz Form.
Agnes StenqvistAgnes StenqvistLogotype/graphic elementDesign of logotype/graphic element for Kuststad 2025, Trelleborg.
Adam DahlstedtAdam DahlstedtThe National Organization for Rescue and Emergency Services, logotypeUpdated logotype and visual identity. 
Ben BakerBen BakerPersonal Work, "Rabbit"Hand drawn promo animation for my own company
Ben BakerBen BakerMRG Wines, logo animation.I brought MRG’s peacock logo to life and gave it some character in a series of animated gifs.
Ben BakerBen BakerMRG Wines, logo animation.I brought MRG’s peacock logo to life and gave it some character in a series of animated gifs.
Robin EnströmRobin EnströmKajp restaurant, logoHand drawn logotype design for restaurant
Henri GylanderHenri GylanderMermaidMy version of the Gothenburg Book Fair logo. Part of the fair's fan art campagne 2018.
Felicia RansmarkFelicia RansmarkLogotype for Allt om Autism. Illustration, 2019.An illustrative logotype for the organisation Allt om Autism. 
Velina ParapanovaVelina ParapanovaBlueberryBlueberry - Barnens bästa bär  
Lisa Berg SvedinLisa Berg SvedinHelljus AB, Logo, 2016Logo for Helljus AB, 2016
Elsa HuluElsa HuluLupinta, Tempeh packaging, 2019Lupinta is a food tech startup based in Malmö which aims to decrease the import of soy beans, by creating a meat substitute from locally and organically grown lupin beans from Skåne, Sweden. My role at Lupinta is Content Manager, which started off with creating a visual identity from scratch, including a logo, package designs, brochures, business cards, roll up etc. I'm also creating content for social media and styling our products during photo shoots.
Elsa HuluElsa HuluLupinta, logotype, 2019Lupinta is a food tech startup based in Malmö which aims to decrease the import of soy beans, by creating a meat substitute from locally and organically grown lupin beans from Skåne, Sweden. My role at Lupinta is Content Manager, which started off with creating a visual identity from scratch, including a logo, package designs, brochures, business cards, roll up etc. I'm also creating content for social media and styling our products during photo shoots.
Tirild OftedalTirild OftedalLogotypeLogotype to a small company offering alternative medicine.
Mats KällbladMats KällbladBomber-sheep, record cover 2018Record cover of the album Sheep by the band Bomber, 2018. Ink and photoshop coloring.
Mats KällbladMats KällbladAll Indians Weekend, logo 2019Logo for the motor event All Indians Weekend 2019 in the Czech Republic.
Micke LindeberghMicke LindeberghStudio Moross Logo Animation, 2018.Riso printed stop frame animation for Studio Moross 2018.
Tian GanTian GanPortrait rubber stamps, 2014 - 2016. Private commissions. Personalized portrait rubber stamps I made for customers. 
Tian GanTian GanBrand Identity Design, 2019. Eat East.Brand identity and business card design for a Chinese restaurant. 
Tian GanTian GanStockholm Typography, 2019. Personal work. Typography design, personal project.
Tian GanTian GanStockholm Icon Set, 2019. Personal work. A series of minimalist icons depicting some iconic buildings and objects in Stockholm.
Matilda CarlssonMatilda CarlssonSchool assignment, tags for rainponcho "UV".School assignment, design a rainponcho with logo and packaging/tags, etc. Three small tags with front and back info, in cardboard, held by the ponchon with plastic straps. Reduces the amount of packaging material. The poncho is in uv-colors and the nave is UV, written with two drops of rain.
Frida Hansson Frida Hansson Suggested illustration for "Vetekatten" 2018School project, illustrations for pastry shop "Vetekatten".
Matilda CarlssonMatilda CarlssonTC Skot logotypeLogotype to forestry machine company. The machines crane and prehensile claw represents T and C.
Adam DahlstedtAdam DahlstedtLes Big ByrdMerch graphics for the Swedish band Les Big Byrd.
Lisa Berg SvedinLisa Berg SvedinOdinkören, Logo 2017Logo for Odinkören 2017
Adrian WirenAdrian WirenEaster Logo animationPersonal project, animated Easter Rooster logo
Jennifer NystedtJennifer NystedtMme Figaro Japon, "Lion print"Illustration for fashion magazine Mme Figaro Japon, children's fashion.
Jennifer NystedtJennifer NystedtMme Figaro Japon, "Sports Chic"Illustration for fashion magazine Mme Figaro Japon, children's fashion.
Sabina Wroblewski GustrinSabina Wroblewski GustrinPackaging. Wine Labels, Hungry Wines.Hungry Wines is a premium selection of wines that are all about the food they should be paired with. All produced responsibly using natural methods. I had the pleasure to work with the Visual Identity consisting of logotype design, wine label design and watercolour illustrations for the labels.
Matilda PeterssonMatilda PeterssonKraft Brewery, Koncept, logotype och etiketter, 2017Branding. Logotype, graphic profile, illustrations and labels for Kraft Brewery. Handmade illustrations that was later on processed in Photoshop. The illustrations were central in the brands concept, refering to the brand name Kraft.  Therefor - we made a fun concept where we played with the three laws of Newton. Each beer, has its own equation. Lager, Ipa and I-ipa- 
Adrian WirenAdrian WirenFast Food PictogramsMenu Pictograms for fast food and restaurant. The idea is to visualize each object with one stroke and keep it simple as possible yet informative. 
Magdalena BrunzellMagdalena BrunzellGimstad bys museer, logotype, 2016.Logotype with four parts: Ibsen, Hamsun, Hagebruk, Sjøfart. www.gbm.no
Michelle RiedlMichelle RiedlPersonal project - personal signature, 2018Signature of my initials, based on flowers of preference.
Michelle RiedlMichelle RiedlLogotype - Naturnära Jobb, 2019Logotype developed for a newly started company in the north of Sweden, 2019
Michelle RiedlMichelle RiedlLogotype for Swedish company, 2018A logotype designed for a local company, 2018.
Michelle RiedlMichelle RiedlLogotype - Boendefabriken, 2016Logotype was developed for a newly started company in 2016.
Michelle RiedlMichelle RiedlLogotype - Wridge, 2017The client was the newly started company called Wridge - who acts as a bridge between students at university and different companies, to help with work oppourtunities. The logotype was developed after meetings, sketches and a more worked through final version.
Christoffer PetterssonChristoffer PetterssonGöteborgs-PostenEnd of shopping - Göteborgs-Posten
Lou-Lou PetterssonLou-Lou PetterssonHorse with blue hair 2019.Horse. Ink and oil pastell
Per PelzPer PelzSir Longbottom´s GinPrivate project, "Sir Longbottom´s Gin". 
Katarina ErikssonKatarina ErikssonLogotype, Skärpa StudioLogotype for Skärpa Studio, a Swedish firm for designing sustainable green environment. It's inspired by maps and drawings, as well as the leaves of a tree and emerald.
Helena LindholmHelena LindholmPostNord/IcaEditorial for Icas magazine. Caricatures of people in the food industry. For ICA 2017.
Jiawen MaoJiawen MaoEditorial illustration, children's book, 2018“Red-crested crane"
Jiawen MaoJiawen MaoEditorial illustration, children's book, 2018"Ocean"
Margaretha WixnerMargaretha WixnerFritid & Vildmark New graphic profile 2015
Eida SteenEida SteenValentine day, 2019Digital animation in After Effects.
Sofia LindholmSofia LindholmLogo for the restaurant La Guagua, 2012.Logo for the restaurant and bar La Guagua in Mar del Plata, Argentina.
Felicia FortesFelicia FortesBorås' Flower ProgramCover illustration for the city Borås' Flower Program for 2018. The B is built up by a selection of the flowers in the program with the over all  theme of silver. Client: Borås Stad
Björn BerglundBjörn BerglundTitle logo for theatrical play on ManhattanTwo time Tony Award winning producer Darren Bagert needed a title logo for the theatrical stage play ‘The Absolute Brightness of Leonard Pelkey’. The story is about a 14 year old boy who was an artist: bold, smart and flamboyant, he is later drowned in a lake for being who he was – different. A sad story of course, but after reading the New York Times review of the play and discussions with Darren, I found out that the play were full of life and ‘leaves you beaming with joy’ (from the New York Times review). So Darren was looking for a bold, fun, dynamic, one of a kind logo, focusing on the brightness of Leonard. After lots of hand-crafted sketches and digital refinements, the result is a playful, alert typgraphic solution that radiates joy.   
Björn BerglundBjörn BerglundVisual identity for Barber Art & CraftsHand-crafted visual identity for Barber Art & Crafts. Assignment has included (so far) logo, gift cards, business cards, bags, signs, flags, posters, pins and more. 
Eida SteenEida SteenReumatikerförbundet, Riksförening för SLE, 2019Animerad i After Effects. Design till årets pin som ges ut av Reumatikerförbundet, Riksförening för SLE.
Björn BerglundBjörn BerglundTypographic cover for Magasinet NEOLina Högberg, Art Director at Magasinet NEO, wanted a hand-drawn design for the cover of this years 4th issue. After initial discussions I was given pretty much free hands to create a totally hand-drawn typographic cover. My initial focus was to find a suitable style. I researched a lot to find the right type of lettering and the effects that I wanted. The chosen lettering style suited the vision of the magazine and also has a subtle familiarity to the NEO logotype. I started drawing the main headline. Next step was to find a good layout and create the hierarchy between the main headline, its subheading and the smaller headlines. To avoid the cover to be cluttered I used four fixed sizes of letters. I also added some suitable illustrative elements to fill the blanks in the cover. To highlight the main headline even more I added shadows, etc. The background has a subtle gradient and a combination of different textures in order to give it more depth. All type was initially hand-drawn by pencil and then refined digitally. For the printed cover the headlines are covered with UV varnish.
Christoffer PetterssonChristoffer PetterssonWallpaper, Svenska Spel ABWallpaper for Svenska Spel AB
Anna Lena Mayor EkebladAnna Lena Mayor EkebladBed and Breakfast, vegetables, 2019The illustrations are made for a hotell that put focus on a vegan menue. The illustratons are made with ink and watercolor. 
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